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    <loc>https://www.bautrytaylor.com/the-intersection-by-brie/euphoria-is-a-horror-series-how-male-creators-turned-female-suffering-into-profitable-art</loc>
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      <image:title>The Intersection: Where Politics and Celebrity Collide - Euphoria Is a Horror Series: How Male Creators Turned Female Suffering Into profitable art</image:title>
      <image:caption>In 1974, The Texas Chain Saw Massacre kicked things up a notch by introducing the world to what critic Carol Clover would later coin the "final girl," Sally, in this case, and then giving her two hours and an acre of land to run for her life and suffer. The final girl is scrappy. She's scared and alone. She survives. The male audience, Clover argued, is structurally compelled to identify with her, seemingly presenting the film as feminist media when, in reality, it was anything but. If she's going to survive, she'd better crawl her way to the end of the movie. Every director from Eli Roth to Damien Leone to Sam Levinson uses Clover's framework the same way: the girl survives, therefore the film is feminist, therefore I can put these women in violent, often sexually dangerous situations on the way there.</image:caption>
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      <image:title>The Intersection: Where Politics and Celebrity Collide - Euphoria Is a Horror Series: How Male Creators Turned Female Suffering Into profitable art - Did you know that Sam Levinson was a nepo baby?</image:title>
      <image:caption>His daddy, Barry Levinson, directed the Academy Award-winning film Rain Man.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/690bbaa7aab5c621ef6b6dbd/9ccc6a81-4a4c-4aa9-83dd-88b889415f7b/16.png</image:loc>
      <image:title>The Intersection: Where Politics and Celebrity Collide - Euphoria Is a Horror Series: How Male Creators Turned Female Suffering Into profitable art</image:title>
      <image:caption>By Leone's own design, this is a series in which the most elaborate and prolonged kills are reserved for women. In Terrifier 1, Art saws a woman in half from crotch to skull while she is hanging upside down. In Terrifier 2, he spends roughly fifteen minutes torturing a teenage girl in her bedroom with a hammer, scissors, and salt. In Terrifier 3, he kills a man and writes the words "cunt pig bitch slut whore filth" in the man's blood next to a female victim. Male victims in the Terrifier films, when they appear, tend to die quickly and fully clothed. Female victims tend to die slowly and in some state of undress. Surely this kind of content isn't widespread, though, right? You tell me.</image:caption>
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      <image:title>The Intersection: Where Politics and Celebrity Collide - Euphoria Is a Horror Series: How Male Creators Turned Female Suffering Into profitable art</image:title>
      <image:caption>In 2024, the French director Coralie Fargeat released The Substance, a body horror film starring Demi Moore as an aging television fitness star who injects herself with a black-market drug that allows her to birth a younger, more beautiful version of herself, played by Margaret Qualley. The film is, by any measure, more graphic than anything Sam Levinson has ever put on television. Bodies split open. Skin stretches and tears. By the final twenty minutes, Moore's character has become a heaving mass of misshapen flesh, bodiless and free.</image:caption>
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      <image:title>The Intersection: Where Politics and Celebrity Collide - Low Rise is Back: How the Return of 2000s Skinny is a Recession and Oppression Indicator - Kate Moss for Calvin Klein</image:title>
      <image:caption>If you were on Tumblr at any point during its peak, you remember the quote, “Nothing tastes as good as skinny feels.” That would be our ‘heroin chic’ darling, Kate Moss. She wasn’t just an it girl; she was a trailblazer. Awful sentiment aside, her rhetoric stuck for years. Aesthetically, modeling was never the same.</image:caption>
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      <image:title>The Intersection: Where Politics and Celebrity Collide - Low Rise is Back: How the Return of 2000s Skinny is a Recession and Oppression Indicator - Lindsay Lohan and Nicole Richie</image:title>
      <image:caption>In the 2000s, Paris Hilton, Nicole Richie, and Lindsay Lohan dominated the cultural conversation as the paparazzi machine was finding its footing in Hollywood. The thinness plastered all over the internet and supermarket checkout lines meant constant, inescapable awareness of a startling standard. Our it girls were living our dream lives, and thinness simultaneously became an economic aspiration and a class performance. Spend money! Live in excess! Drink your dinner! Be like Paris and Lindsay!</image:caption>
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      <image:title>The Intersection: Where Politics and Celebrity Collide - Low Rise is Back: How the Return of 2000s Skinny is a Recession and Oppression Indicator</image:title>
      <image:caption>The body positivity movement had real cultural momentum. Brands started casting differently, if only slightly. The language around bodies began to shift in mainstream spaces in ways that felt, cautiously, like progress. But here is the thing about cultural movements that don't touch industry structure: they are reversible.</image:caption>
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      <image:title>The Intersection: Where Politics and Celebrity Collide - Low Rise is Back: How the Return of 2000s Skinny is a Recession and Oppression Indicator - Examples of the dozens of videos promoting new cutting drink for appetite suppression.</image:title>
      <image:caption>The language evolved out of necessity. "Skinny" became "lean." "Dieting" became "eating clean." Restriction became "intuitive eating gone wrong" or a "gut reset." The fixation didn't disappear. It put on athleisure and started a podcast. Sociologist Erving Goffman's concept of impression management argued that we are all constantly performing versions of ourselves calibrated to our audience. Wellness culture is diet culture performing impression management for a post-body-positivity audience. The goal is the same, just wrapped in GymShark.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Intersection: Where Politics and Celebrity Collide - The Cancel Culture Myth: Hollywood's Bold Double Standard and the Women Who Pay the Price - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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